With Tim Jeffreys’ short story, “Last Shot,” we return to the world of celebrities and the bold frame of the camera lens. In Jeffreys’ story, a paparazzo gradually realizes that a common thread runs through a series of celebrity deaths… Read on to learn more! Q (Crone Girls Press): What do you write? How longContinue reading “Meet the Author: Tim Jeffreys”
The worst writing advice? It’s a two way tie for first between “write what you know” and “if you aspire to write genre fiction, you’re not a serious writer.” The former is simply garbage. I write largely to explore all the things I don’t know. The latter? I mean, I’m from Jersey. I’ve seen people throw down over words way less harsh than that.
Within horror and dark fiction there are so many different types of stories that you can work with. If you feel like writing something paranormal there is space for that, if you want something more grounded in reality, there’s room for that too.
When I think about writing horror, I imagine looking for the center of a shadow. The part of a monster that lets you understand it is an interesting part. Especially if you understand it, but still recoil from it. That’s the tiny still center I look for as I write.
I am fascinated by how coping with ‘otherness’ shapes the worldview of many of my characters. Horror tropes provide a powerful way for me to dig into the complexities and contradictions of race and gender.
So far we’ve had an Italian author with an American translator from Chicago, a New Hampshire writer with a story set in California, and today we bring you a Scottish author writing a tale set during the Siege of Leningrad.